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Ron Carter Net Worth: How Much Has He Gained From His Professional Career?

Bassist Ron Carter has $2 million. Born on 5/4/1937, Ron Carter. Jazz double-bassist who has recorded 2,500 times and is in the Down Beat Jazz Hall of Fame.

The ethnicity, nationality, ancestry, and race of Ron Carter are topics of interest to a great number of individuals. Let’s check it out! According to publicly available resources such as IMDb and Wikipedia, Ron Carter’s ethnicity is unknown to the public. In this post, we are going to bring you the most recent information regarding Ron Carter’s religious and political beliefs. After a few days, could you please check back on the article?


Date of Birth May 4, 1937
Age 85 Years, 6 Months, 11 Days
Place of Birth Ferndale
Country United States
Profession Bassist

Ron Carter Net Worth: How Much Has He Gained From His Professional Career?

In addition to being one of the most successful bassists, Ron Carter is also among the most well-known.

Ron Carter Net Worth

According to the findings of our investigation as well as Wikipedia, Forbes, and Business Insider, Ron Carter has an estimated net worth of 1.5 million dollars.

Who Exactly is Ron Carter’s Girlfriend?

According to the information that we have on file, Ron Carter may not be single and has not been engaged in the past. Since the month of May 2022, Ron Carter has not been seen with anyone.

Record of Relationships: There is no evidence that Ron Carter has been in any relationships in the past. You might be able to assist us in compiling the relationship history for Ron Carter!

Ron Carter’s Career

During the middle of the 1960s, Herbie Hancock, Wayne Shorter, and Tony Williams were the other members of the second Miles Davis Quintet, which also included Betty Carter. Carter was a member of the band.

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In 1963, Carter became a member of Davis’s band and made an appearance on the album Seven Steps to Heaven. as well as the album that followed it, E.S.P., the latter of which was the first record to showcase the whole quintet by itself.

In addition to that, it featured three of Carter’s works, which was the only occasion Davis’s group ever received music from Carter. He remained with Davis until 1968 (when Dave Holland took his place), and he took part in a few studio sessions alongside Davis in 1969 and 1970.

In spite of the fact that he did play electric bass on occasion during this period of early jazz-rock fusion, he has since given up playing that instrument and now focuses solely on playing double bass in the 2000s.


For “an instrumental composition for the film” Round Midnight, Carter won a Grammy in 1987. For a Miles Davis tribute album, he received another Grammy Award in 1994 for Best Jazz Instrumental Group. He makes an appearance on the Verse from the Abstract track from The Low-End Theory, a significant album by the alternative hip-hop group A Tribe Called Quest. He made an appearance as a bandmate of the Classical Jazz Quartet.

Carter had an appearance on the Stolen Moments: Red Hot + Cool compilation album by the Red Hot Organization in 1994. The record was hailed as “Album of the Year” by TIME and was created to bring attention to and generate funds for the AIDS epidemic as it affects the African-American community. Carter recorded “Money Jungle” in 2001 with Black Star and John Patton for the Red Hot Organization’s compilation album Red Hot + Indigo, an ode to Duke Ellington.

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After 20 years of teaching at City College of New York, Carter is a Distinguished Professor Emeritus in the music program. In the spring of 2005, he was awarded an honorary doctorate from the Berklee College of Music.

In 2008, he became a member of the Juilliard School faculty in New York City, where he currently teaches bass in the Jazz Studies department. In 1996’s Kansas City, directed by Robert Altman, Carter made an appearance. He performs a duet on “Solitude” with fellow bassist Christian McBride during the closing credits.

Carter is a member of the Honorary Founder’s Committee and the board of directors advisory committee for The Jazz Foundation of America. Since the Jazz Foundation’s foundation, Carter has campaigned to protect the homes and lives of senior jazz and blues performers in America, including those who survived Hurricane Katrina.

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